Boshko Bosković (born in Belgrade, Serbia) is the Program Director of Residency Unlimited, a New York based residency program for international artists and curators.
His curatorial practice contributes to promoting unexpected multicultural relations and realities. He has curated numerous exhibitions such as Reinterpreting the Frame, The Finish Museum of Photography, Helsinki, Future Perfect, Dazibao, Montreal, Monument-Movement, Center for Photography and the Moving Image, New York, Not So Distant Memory, Delaware Center for Contemporary Arts & The National Center for Contemporary Art, St. Petersburg, Russia, Paint Me Sculpturly, Artopia Gallery, Milan, Power of the Brand, Contemporary Art Museum Banja Luka, Bosnia & Herzegovina. In 2012, he curated in collaboration with the collective La Fabrique d’Expositions the video program Videozones in the context of the exhibition Montreal/Brooklyn, which was presented at the Galerie de l’UQAM, Montreal and at Interstate Projects, New York. He published essays for many of the aforementioned exhibitions.
Bosković had previously worked at the Felix Gonzalez-Torres Foundation managing the European retrospective Specific Objects Without Specific Form which traveled to the Wiels Contemporary Art Center in Brussels, The Beyeler Foundation in Basel and the Museum of Modern Art in Frankfurt.
During his tenure as Associate Director at the Sean Kelly Gallery in New York he worked closely with artists such as Los Carpinteros, Ilya & Emilia Kabakov and Johan Grimonprez.